London's Tattooed Indian Kings

Published: 11 August, 2010 - Featured in Skin Deep 121, May, 2005

In April 1710, four ‘Indian Kings’ representing the Five Nations Confederacy of the Iroquois (Seneca, Cayuga, Oneida, Onondaga, and Mohawk) traveled across the ‘Great Water’ to visit the court of Her Majesty Queen Anne in London. These Iroquois sachems, or civil chiefs, hoped to secure British military support against the marauding French and their Indian allies (Algonquin, Montagnais, and Huron) in Canada, and to ask for missionaries to come to New York State and instruct their people. Although Native Americans had visited England before (e.g., Pocahontas in 1616), none had ever been treated as royalty on a state visit! The Kings became such popular favorites that mobs followed them about and they were the subject of ballads and broadsheets.

 

The ‘Four Indian Kings,’ as they were known in England, caused a real sensation in old London town. They were given apartments in the ‘Two Crowns and Cushions’ near Covent Garden, then they were taken to a tailor to be outfitted in manner seemly for a royal presentation. They were celebrated and honored everywhere they went, and asforeign dignitaries of state, the Indian Kings were given a Grand Tour of London including a performance of Shakespeare’s MacBeth in the Haymarket district and a visit to the Royal Opera. They also attended a ‘trial of skill with sword’ between two fighting Englishmen, visited the Cockpit Royal, where they witnessed the ‘Royal Sport’ of cockfighting firsthand, and observed wrestling matches and bear-fights.

 

A large collection of historical documentation survives that recounts their memorable visit including numerous versions of their speech to Queen Anne, other published accounts of their visitation, some thirty portraits of the Kings in the form of engravings and miniatures, and four portrait oil paintings. For us, and from the standpoint of the tattoo artistry, these oils are important because they accurately depict – perhaps for the first time in Western history – the facial and body tattoo of the Iroquois and neighboring Mahican.

 

Of the four Indian Kings, only three were actually tattooed. Two tattooed sachems were Mohawk (Ho Nee Yeath Taw No Row and Sa Ga Yeath Qua Pieth Tow) and one (Etow Oh Koam or John) was Mahican, a tribe that was loosely allied to the Five Nations Confederacy. In each portrait, the clan totem of each King (Wolf, Bear, Turtle) is represented standing near the base of the canvas. And all three Kings are presented with their weapons, which attests to their success and prowess on the field of battle. The portrait of Etow Oh Koam (Nicholas) is significant because it is the only known portrait of an 18th century Mahican chief. Sa Ga Yeath Qua Pieth Tow, also known as Brant, was the grandfather of Joseph Brant, the prominent Mohawk war chief who later settled the Six Nations Reserve near Brantford, Ontario. Today this reserve is the most populous in Canada and the largest Iroquois reservation in Canada and the United States.

 

Iroquois and Mahican Tattoo - According to Jesuit documents, Iroquois and Mahican tattoo designs were first stenciled on the skin and then pricked into the flesh with trade needles or little bones until the blood flowed. Then, crushed charcoal (or sometimes red cinnabar) was vigorously rubbed into the open wounds. 

 

Iroquois women, however, rarely tattooed. But when they did the purpose was usually medicinal: as a remedy to cure toothache or rheumatism. According to the Jesuit priest Lafitau, these women ‘content themselves with having a little branch of foliage traced along the jaw. They claim that the nerve by which the humour flows over the teeth is thus pricked so that it can no longer fall there and that thus they cure the pain by going to the source of the ill.’

 

Iroquois men tattooed to signify achievement on the field of battle, including crosshatches on the face to record successful military expeditions, or other small marks on the thighs to indicate the number of enemies killed. According to a Jesuit relation of 1663, one Iroquois war-chief bore sixty tattoo marks on one thigh alone! Many other markings - which have lost their meaning and function - were placed upon the face and body, although some were probably totemic.

 

Nevertheless, nearly all Iroquois men’s tattoos were individualistic. According to the account book of Dutch trader Evert Wendell dated August 13, 1706, ‘a young Seneca, living in Canosedaken, his name Tan Na Eedsies,’ visited Wendell in Albany, New York and completed his transaction by drawing a pictograph next to his order. This drawing identified Tan Na Eedsies, and the tattooed patterns on his face, neck, and chest were considered equivalent to his personal signature.

 

The Fate of the Indian Kings and Five Nations - The Indian Kings returned to Boston on July 15, 1710. Although the sachems had witnessed ‘the Grandeur, Pleasure and Plenty’ of the British nation, Brant soon died after his return from London. And as history would have it, both Nicholas and John faded into obscurity - nothing more is known of them.

 

In the summer of 1711, however, a massive British military expedition involving some 12,000 American colonists and 800-odd Native Americans from the Five Nations did set sail from Boston in sixty transports and nine man-of-war. Their destination was the French stronghold of Quebec; the palisaded city that was the key station to the important trade routes on the St. Lawrence River and Great Lakes. Unfortunately, in the darkness and swift currents of the St. Lawrence, several of the British ships ran aground on the Île-aux-Oeufs and the expedition was abandoned.   Although the memory of their visit was to be documented well into the 19th century, the Kings’ trip to London had little significance in the broader scope of American history. French power persisted in Canada until the fall of Montreal in 1760. And with the Treaty of Paris in 1763, the St. Lawrence River and Great Lakes region were opened to English settlement. 

 

Ironically, the westward movement of colonists towards Iroquois lands led to the eventual collapse of the Five Nations. And after 1763, a series of military, political, and economic disasters compounded these and other problems. During the American Revolution, the Iroquois Confederacy at first attempted to remain neutral. But as time wore on, it was evident that a course of action had to be taken: the member tribes had to pick allies. 

 

Many of the Mohawks chose to side with the British, as did the Onondagas, Cayugas, and Senecas. But the Oneidas were sympathetic to the Americans. Being unable to reach a consensus, the Iroquois League disbanded in 1777 and each Nation was left to pursue its own fate.

 

Of course, the Americans won their independence from Britain and from 1783 to 1797 most Iroquois tribes were deprived of their land and of their diplomatic and military power under the effective sovereignty of the United States.  Soon thereafter the Iroquois were confined to a few small reservations in the United States and Canada, many of which exist today. 

 

Literature

 

Bond, Richmond P.

1952 - Queen Anne’s American Kings. 

Oxford: Clarendon Press.

 

Lafitau, Father Joseph F.

1977 - Customs of the American Indians Compared with the Customs of Primitive Times, 1724 (2 vols.).  

Toronto: The Champlain Society.

 

Thwaites, Reuben G. (ed.)

1896-1901 The Jesuit Relations and Allied Documents, 1610-1791 (73 vols.).

Cleveland: Burrows Brothers.

 

John Verelst’s paintings of the Kings could be seen at Writtle Park, home of the Honorable John Petre, near Chelmsford, Essex until the 1970s. In 1977, the National Archives of Canada purchased them where they hang today.

Credits

Text & Photography: Lars Krutak

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Skin Deep 121 1 May 2005 121
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